Il fotografo Taylor Holland ha fotografato questa serie di dettagli di Tour Bus europei parigini.
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Questa immagine della Superstars firmata dal trio Run DMC mi ha fatto venire in mente che è ora di farsene un nuovo paio.

While we all like to tap into an artist's brain, find out exactly what goes on in their mind to make them create what they do, sometimes there isn't really more behind a work of art than simply a vision that a person is unable to explain through words. The different approaches to making art—from pragmatic to utterly emotional—is part of what keeps the field perpetually intriguing.

A reticent painter originally from Côte d'Ivoire, Ouattara Watts recently opened up his studio to Cool Hunting for a preview of the newly formed works comprising his forthcoming exhibition. The large, garage-like space is located in an industrial part of Brooklyn between Williamsburg and Bushwick that's home to numerous emerging artists. With both the Whitney Museum and Venice biennials on his résumé, the veteran painter may hold more clout than his neighbors, but his artistic spirit seems unaffected by his widespread success.

Organized by Vladimir Restoin Roitfeld, Watts' upcoming NYC exhibition—which Roitfeld says is more like a small retrospective—will feature 18 new paintings alongside a few existing pieces. Watts completed all of these large-scale works in a matter of about six months, explaining that with the way the world is right now, he has a lot to say. At the moment, he is mostly preoccupied by the population of mistreated children in the world, a concern that presumably evolved since the birth of his own child, a life-changing moment for him.

Bursting with color and layered in fabrics and objects picked up from his global travels, Watts' paintings are still entrenched in his own style of Neo-Expressionism. Cryptic serial numbers abound, alluding to a secret code that only he knows about, but one that could potentially be worked out through clever deciphering or a deep understanding of West African cosmology. The mysticism that prevails reflects a coalescent spirituality, his beliefs not tied to one religion or another, but that together are very much a part of his enduring creative passion.

The mix of media Watts uses is also symbolic of his constant exploration, and the people he encounters along the way. For example, the massive piece, "Vertigo #4" is covered in a denim remnant given to him by the shop owner of a fabric store near his Midtown apartment. Glued to this is an Ikea-like dish cloth embroidered with the initials "JL"—who they belong to Watts claims not to know. These found objects and recycled fabrics likely speak to the movement against using expensive materials, a notion developed in the 1970s by fellow Ivorian painter Mathilde Moraeau which she called Vohou-Vohou. The mix also undoubtedly marks a more natural way for Watts to express himself, free of monetary limitations or a prescribed aesthetic.

Although known in his own right, it's difficult not to associate Watts with the legendary artist Jean-Michael Basquiat. The two met in Paris while Watts was studying at the renowned L’École Nationale Supérieure des Beaux-Arts, and while their friendship was short-lived due to Basquiat's death, Watts considers him almost like a soulmate. Basquiat convinced him to move to NYC, where Watts gave rise to African art with prominent shows at the Gagosian and Vrej Baghoomian galleries.

The exhibition opens 7 February and runs through 19 February 2012 at the cavernous space known simply as 560 Washington Street.

All images by BHP, see more in the slideshow below.

Applications are now open for the Summer Workshop of the new MFA Products of Design program. Held at the beautiful Domaine de Boisbuchet in Southwestern France, this year's workshop will run for 10 days, inviting participants to immerse themselves in the evolving field of product design.

The Products of Design Summer Program in France offers hands-on, collaborative experience and instruction in rapid sketching, materials investigation, prototyping, iteration, narrative creation and environmental stewardship. In addition to work completed during the days, participants will enjoy opportunities to sight see, socialize with designers from around the world, and attend lectures in the evenings.

The program invites applicants from various backgrounds: design professionals, students (in at least senior standing at an art & design college), or graduate students in any field. Faculty will be MFA Products of Design chair Allan Chochinov and faculty Emilie Baltz.

All info is at the site: http://productsofdesign.sva.edu/curriculum/summer/

Products of Design Summer Program in France
June 17-27, 2012
Domaine de Boisbuchet, Southwestern France
Tuition: $2,500 (includes room & board)
Applications due: February 10, 2012

The dummy book motif has appeared on accessories from handbags to desktop boxes, only partially satisfying true literary geeks because, after all, they're only just replicating the covers. Book Chargers by Rich Neeley Designs, on the other hand, are made from actual vintage books outfitted with an impressively subtle power source for an iPhone or iPod. The USB-compatible hook-up tucks neatly behind the book's binding, and the dock itself is discreet enough to go unnoticed at quick glance.

Neeley and his wife, Brenna, travel around Southern California on what they call "book hunting" excursions. They've picked up tomes like a 1977 edition of "Alice in Wonderland", a manual called "Modern Dentistry" dating back to 1975, and a cloth-bound copy of Louisa May Alcott's "Eight Cousins" from 1914 for the antique bases they then refurbish to keep your modern technology fully juiced. The selection of books also includes contemporary releases bound in throwback past-edition covers, with titles spanning "The Picture of Dorian Gray", "Huckleberry Finn" and more.

Rich Neeley Book Chargers sell through the designer's Etsy shop, with prices ranging from $48-$55 per book.